![]() It may be crazy and controversial, but it’s now our reality. Anyway, the point I am getting to is that Avid, Premiere, After Effects, Final Cut, Blender, Cinema 4D, and many others are starting to become close neighbors in the same post production ecosphere and ALL participants are expected to have at least a basic ability in all programs. ![]() Not a surprise for me, but many others weren’t so keen on the idea of having to learn After Effects, while they were still learning Avid - Bunim Murray had switched from Final Cut Pro a year or two earlier. During the first editors meeting for Bad Girls Club, a show I help edit, it was loosely described as “look to the future of our world, editing isn’t just editing anymore.” Fast forward to the fall of 2013 where I am a newly promoted television editor working primarily on software applications like Avid Media Composer, and Adobe’s After Effects and Photoshop. I then moved on from Cinema 4D to NLEs: Final Cut, Premiere, After Effects, etc. This was all within the timeframe of Releases 7 through 9. ![]() So I began learning Cinema 4D in school where at the time (2001 – 2004) BodyPaint 3D had made its inaugural debut just one year earlier, Thinking Particles were released, and soon the MoGraph module would be introduced. My interests suddenly perked and I realized I wanted to create using the coding, not be the one coding, and become a video editor.Īs I was learning all about the difference between scanlines, hard drive platters, After Effects and Photoshop – I found a software program called Maxon Cinema 4D. However, I did see the power of graphics in a computer science from a graphics course where I learned how hard it was to program a teapot with color and shading using Java. I was eager to learn every piece of software, all the tools, and every piece of theory I could get my hands on.Īt first I was a Computer Science major, where I quickly learned I did not want to create arrays the rest of my life. I attended California Lutheran University in the little California suburb of Thousand Oaks. Bumin Murray editor Brady Betzel calls this newest version “a beast of a release.”Īs we breached the 21 Century, I began my career in post production.
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